Sunday, May 28, 2017

The Magic Bus


This is probably the most unique vehicle that I have painted so far for our armies... the tiny little Bren carrier!  While it is quite small, it hold quite a bit.  The combination of tracked vehicle, rivets and several troops inside was quite interesting.

Here's a link to the kit itself:




There are a lot of vertical pieces to deal with on this, which means that the weathering and discoloration of some sections takes a different approach than the angled surfaces of a T-34 for example.


Since it is smaller, the weathering effects can get out of control in a hurry.  I tried to target just a few spots with key effects... a tiny bit of rust here, some mud there, etc.


The track assemblies and other bits are far smaller than regular tanks and transports, so I kept the track mud to a minimum.  One of the mud guards kept falling off, so I thought it might be interesting to leave that one off, and just call it as extra weathering! ;-)


Some views from above to show you what the crew compartment looks like.  The oil washes from Mig Ammo certainly helped to get down into the deep crevices.


The horizontal surfaces on the interior needed to have a touch more of the rust, since I figured that the water and other gunk would have more chances to sit there and interact with the paint, and the machine gun mount would also rough up the surface.

  
I took a few ground level views so that you could get a peek at the crew faces.  It's not easy to get at them while they are in the vehicle, but it was certainly worth it!  I have one more of these to go, so stay tuned for some side by side pics!


Saturday, May 27, 2017

The Cleric


This was my favorite of the adventuring party.  I really liked the pose, and how the massive sword was set in her hand.  Like all Werner Klocke sculpted faces, you can do a lot of expressive looks.


Since I had freehand on the shield, I left the cloak as plain as possible.  There are some transitions in the blue, as it moves from a grayish blue in the lighter areas to a deeper purple shade towards the bottom.


In addition to the Green Stuff World leaf punches, I placed a few tree branches on the base.


Friday, May 26, 2017

Ground Cover


Some of you have seen my initial posts on the winter American army for Bastonge... and the basing articles on how they were created.  I just discovered these work in progress images showing the method I used to get some leaves, dirt and dust onto the bases, along with some minor applications of snow.


I wanted to have a "little bit of each", with a few scattered leaves, some dirt and a touch of snow.  The previous basing article is here:



Using the Green Stuff World leaf punches (and some previously pressed and dried leaves), I made a selection of different colors and shapes.


I have discovered that the Mig AMMO Sand and Gravel glue is amazing!  It has incredible hold, and dries with a matt finish.  This is designed to hold actual dirt and dust to vehicles, so why not weathering powders and snow?!


In this case, I used Secret Weapon weathering powders.  Image 1 shows the glue and leaves added to the base... all I need to do is scatter the powders gently over the top, which you can see in image 2.


Scattering the powders over the top of the leaves makes them seem like part of the base, as opposed to something that was just tacked on!  The dust also sinks down into the cracks, and generally adds a little more texture to the base.


This set of images shows the process again... place some glue where you want the leaves and dirt, then add your leaves, followed by the weathering powders.

At this stage, you could even scatter a few small piles of snow flock into the glue, which will resemble a dusting of snow.  If you combine that with some of the dirt colored weathering powder, it will look like muddy snow in the streets.


Here are some examples prior to the application of that snow... with only the leaves and dirt.


This one includes the machine gun team... finished images of that are here:



The inset shows what a difference in texture this can make, especially in "rubble strewn" areas like blasted structures.  For those looking to base your troops in those ruined urban landscapes, this additional texture can be a nice touch.


And now for a sneak peek at the finished figures!  I also used the crushed glass method to create slightly bigger piles on some figures, and get some scattered snow onto the figures too.  Stay tuned for more completed images of the army!


Wednesday, May 24, 2017

Striking Gold


While all non metallic metals are very fun to create, I especially like golds.  They allow for many interesting contrasts between lights and darks, muted and saturated colors, as well as warmer vs cooler tones.  

The key to all NMM is in that reflected light, and reflected colors.  This is interesting on regular metal, but with gold,  using warmer tans and sienna against the purples and blues reflected in it.


You can see the differences in the sword blade, where the same colors were reflected.  However, it is less of a temperature contrast.  I normally use a lot of purples and greens in my gold NMM, and this was an ideal candidate!


He's also here:



Tuesday, May 23, 2017

Shaping Up!!


Here's the next mighty Panzer from Shapeways!  The Panzer I joins the Panzer II for war in western Europe.  This 3D printed vehicle was done by Mike (aka Arctic Skunk), and you can see his great work here:



This was painted in a very different way... I started out with a few layers of the Badger Stynlrez grey primer, and then shaded everything darker with 'washes' of weathering powders from Mig AMMO.  I mixed them with rubbing alcohol, which made them an easy to apply liquid.

I followed that up with Secret Weapon acrylic paints.  The live video can be seen here:



That was a really fun approach, and it worked very nicely with the 3D print white plastic.  I added some mud and dirt effects with the Mig AMMO mud products.


This is the smallest vehicle that I have painted so far, and it presented an interesting challenge.  When you have such a small set of surfaces, it can be that much easier to go overboard with weathering effects.  On larger late war tanks, you can almost "forget" about some parts of the tank!


I added a few of the leaves using the Green Stuff World leaf punch.  That helped to keep it in line with the rest of the early war Dunklegrau tanks that were painted previously.


The Panzer I was more of a tankette when I think about it, barely larger than a mid size SUV, with only a few machine guns.  Now that I have the Perry Brothers gun crew, I will be painting the Panzerjager anti-tank vehicle soon!


Now for some comparison shots.  I also have a painting video of the Panzer II, which you can watch here:



One last set of views... I am not sure if I will paint up the Panzerjager for the Desert campaign, or stay with the Western Front Dunkelgrau... stay tuned! :-)


Monday, May 22, 2017

Mighty Kurgonova


The officers of my old Imperial Guard army were a tough bunch... the Kurgonova Sisters from Raging Heroes!


Since most Raging Heroes figures trend towards wider stances such as this, it meant that my basing techniques meshed fairy well.  I love making slight overhang bases like this instance, and giving it a bit of a twist by setting the broken door on a slight angle.  

This serves to reduce the width needed on those overhangs, because you are utilizing that angle to take off a millimeter or two from that distance if it had been set 'flat' on the base.

Doing so also increases the drama of the pose, and makes that wider stance have more meaning... as if the character were climbing up the sheet metal, or trying to maintain balance, etc.

Finally, it makes it appear that the character might be dueling with a nearby enemy, unseen in the image but implied nevertheless!


She's available here:



Sunday, May 21, 2017

Midori


I thought that I would have a little bit of fun with purples and pinks on this Reaper Miniature.  I forget what shade of Reaper Blue/purple which was the original mix, but it was quite nice when combined with a lighter flesh color.

This kept everything in color harmony, and kept the colors from getting too saturated.


I did some quick chrysanthemum freehand on the kimono, and carried some of those same colors up into the sword blade.  The teal color was the same, and that was highlighted with the light flesh tone... once again to maintain color harmony.


The marble on the base was also kept as simple as possible in terms of it color/saturation so that it would not conflict too much with the brighter colors of the figure itself.


She's also here: